THE SEER Kickstarter Has Funded
Thank You!
Nearly 500 people have backed our Kickstarter and brought it across the funding finish line. These funds will go primarily to paying for our newly-added PROLOGUE sequence. For those who haven't followed Kickstarter updates, we've shared some original news there, including:
- 30% in three days and climbing!
- Laura's First interview now online
- New Backer Reward by Co-Producer Nick Offerman
- 58% and counting! New engraving and interview
- Thank you! We funded in time for the Premiere!
If you are interested in the latest news, definitely read through those entries! Lots of good stuff.
SXSW Awards Special Jury Prize to THE SEER
What the Jurors Said
David Edelstein: (NY Mag/NPR)
As we watched the 10 films in this year’s documentary feature competition, we were struck by a somewhat pervasive theme. SXSW is known for exploring, among other things, the nexus between private technology and the public sphere. Given that we’re living in an increasingly private and solipsistic and often insane-making culture, it’s no surprise that documentary – and for that matter fictional – filmmakers have been moved to create stories about the search for community…for something larger than the self....
In recognition of these riches the jury has opted to give, in addition to its grand prize, two special awards, one of which I will tell you about.
In THE SEER, Director Laura Dunn uses the life and work of Wendell Berry as a springboard for exploring the collapse of the agrarian way of life, which means not just farms but the small-town economies they keep alive. The movie’s prologue, which explores the fragmentation brought on by so-called interactive technologies, could be viewed as the definitive anti-SXSW statement. But! But we forgive her because the movie uses the tools of cinema to transport you to another realm. We’d like to recognize THE SEER's Visual Design which includes archival footage, original [wood] etchings between the film’s chapters and cinematography that captures the spirituality of the material world without lapsing into the womb. It is a beautifully grounded piece of work, and so a special award for Visual Design goes to THE SEER.
What We Said
Laura Dunn (Director, Producer, Editor)
Jef Sewell (Producer/Co-Director/Graphics)
See an Excerpt from THE SEER at Our New Kickstarter
Today we're pleased to be able to share our first public excerpt from footage shot for THE SEER: A Portrait of Wendell Berry. It's exclusively available on our new Kickstarter Page. We are trying to raise funds to help pay for post-production costs before our SXSW World Premiere in a month.
Please come watch the video and also learn about some really neat rewards we're making available for backers of our Kickstarter.
Testing THE SEER DCP
We tested the DCP for SXSW today at AFS's Marchesa theater. Laura and I had all 6 boys to watch through the film with us. Thankfully it looks great. Here are a few pics from the session.
"The Seer " SXSW Screening Times Confirmed
Our Screening Times have been confirmed.
World Premiere:
Saturday, March 12
1:30PM - 2:52PM
Stateside Theatre
Attending:
- Director, Laura Dunn,
- Cinematographer, Lee Daniel,
- Producer, Jef Sewell
- Co-Producer, Nick Offerman
- Composer, Kerry Muzzey
- Mary Berry, The Berry Center
Sunday, March 13
6:15PM - 7:37PM
Rollins Theatre at the Long Center
- Director, Laura Dunn,
- Cinematographer, Lee Daniel,
- Producer, Jef Sewell
- Composer, Kerry Muzzey
- Mary Berry, The Berry Center
Wednesday, March 16
5:30PM - 6:52PM
Stateside Theatre
- Director, Laura Dunn,
- Cinematographer, Lee Daniel,
- Producer, Jef Sewell
- Copious numbers of small Sewell children
THE SEER wins award from DC Environmental Film Festival. To premiere Thursday, March 24 @ 7PM.
The DC Environmental Film Festival just announced that THE SEER has won their 2016 "Beautiful Swimmers" award. We were genuinely surprised when we learned they had chosen the film for their award. We are also immensely grateful. The festival runs immediately on the heels of SXSW (March 15-26). Laura, Jef and Mary Berry (Exec. Director of The Berry Center) will be in attendance for the DC premiere of the film.
Established by the Warner/Kaempfer family for the 2015 Festival in memory of William Warner, author of the Pulitzer Prize-winning book, Beautiful Swimmers, a study of crabs and watermen in the Chesapeake Bay, this award recognizes a film that reflects a spirit of reverence for the natural world.
Tickets are $10 @ National Geographic Society Grosvenor Auditorium. (Reservations required.)
THE SEER Premieres in competition at SXSW
Now it can be told. THE SEER: A Portrait of Wendell Berry will have its World-Premiere at SXSW in March. We learned today that the film will be in competition and receive a SouthBites screening, too. We look forward to sharing what we've been working on for the past few years. Considering the subject matter, it's particularly special to share it with our home town first.
No trailer yet, but many new images from the film are now in our gallery.
Dates: To Be Announced.
The Seer Festival Movie Poster
We are thrilled to be able to share THE SEER's Festival Movie Poster with you first. The poster features an achingly beautiful wood engraving by Wesley Bates. Wesley is among the most talented living wood engravers in the world. His imaginative and idealistic images have accompanied Wendell Berry's texts for decades, especially his limited-run works of letterpress poetry. If you are unfamiliar with woodcuts, they are exactly what they sound like. Wesley hand etched this image out of a single block of wood.
Designer Mark Melnick provided typography and layout for the poster (and typeset many elements in the film itself). The typeface Portrait (Commercial Type / Berton Hasebe, 2013) was utilized throughout; its simplistic angles and almost spartan shapes felt decidedly unmodern, though its many optical weights proved highly versatile.
Henry County news features THE SEER Composer Kerry Muzzey
We were delighted to see that Henry County Local wrote a feature story on our film's composer, Kerry Muzzey. We have worked with Kerry on two projects now and he's a delight. We encourage you to read the story for yourself.
Ken Kesey's Letter to Wendell Berry and others
Letter's of Note in 2012 reproduced the following letter from author Ken Kesey (One Flew over the Cuckoo's Nest) from Co-Evolution Quarterly. It was written after the tragic death of Ken's young son Jed in a bus wreck on the way to a wrestling tournament.
Addendum
Recently Zane Kesey (another of Ken's sons) posted the original letter on Facebook. And notably, the postscript differs in Zane's version of the letter. In Zane's version of the letter, Ken describes checking a Wendell book to confirm the spelling of his name, and the book falling open to Berry's poem "To Know the Dark"
Zane periodically shares his own reflections on this heartrending episode himself here on his Facebook page.
"The Unforeseen" finally available in HD
It's been almost 8 and a half years since our previous film The Unforeseen premiered at Sundance. The movie, which focused on Austin's struggles to preserve its natural heritage in the face of ever-increasing growth, proved unexpectedly prescient. Since its release, Austin's growth has exploded beyond anyone's imagination (outside of the Austin Chamber of Commerce). The Austin of The Unforeseen was a city whose growth still, in large part, came from people who were in and around Texas. Not so today.
It was the making of The Unforeseen that in fact that prompted Laura to want to make a film about Wendell Berry. True story. If you've seen the film, you know that Wendell Berry's voice comes and goes reading his poem "Santa Clara Valley". But it wasn't always that way. During a rough cut screening, [executive producer] Terry Malick observed how powerful it would be if we could get Wendell Berry himself reading his own words. In Terry's words "[Berry's] voice would be like an oblique angle piercing the film."
To record Wendell, Laura initially wrote for permission. Once granted, we traveled to Henry County in what became a treacherous icestorm. Our four-wheel drive gave out during the trip, but we hobbled to the Berry's with two-wheel drive. Despite the conditions, and to the shock of our host, we arrived when we said we would. Wendell graciously hosted us, visited a bit and allowed us to record his reading of the poem. We left, went on our way and proceeded to become stranded in Louisville while the car was repaired.
It was this visit to the Berry's farm that perhaps, more than anything, germinated Laura's idea for THE SEER. Rather than make a traditional biopic ABOUT Wendell, could we somehow approximate the sense of a visit with Berry for the viewer? Could we convey Wendell's words to viewers in a way that left them hungering for more? (i.e. his novels, essays and poems.) That is what we hope to accomplish with our new film, and we very much have our old film to thank for it.
If you've any interest, that film, The Unforeseen is finally available in HD for the very first time. You can buy or rent it on iTunes starting today, July 14, 2015.
Sundance's Tabitha Jackson includes FORTY PANES Audio Excerpt in Keynote
Tabitha Jackson, director of the Sundance Institute's Documentary Film Program, recently asked our permission to use a brief audio excerpt from THE SEER in her recent DOC NYC Keynote.
You can read about Tabitha's presentation here:
http://www.sundance.org/blogs/program-spotlight/tabitha-jackson-keynote-at-doc-nyc
And you can listen to the interview excerpt below.
A Wendell Quote
"If you subtracted the Gospels and the Constitution and the Declaration of Independence from my work, there wouldn't be very much left."
Nick Offerman hosts another Fundraiser in LA this Sunday
Nick Offerman, woodworker/musician/author/actor is a man of many talents. As blog followers know, Nick tirelessly champions the reading of Wendell Berry. In fact, even when it came to promote his OWN book, Nick somehow found a way to work in a nod to Berry:
We're pleased to announce, once again, that Mr. Offerman is hosting a fundraiser for THE SEER: A Conversation with Wendell Berry in Los Angeles on Sunday, July 13th at 7pm. (For those who missed it, here's our recap of the last fundraiser.)
Nick's guests this time include Will Forte, Bo Burnham, Johnathan Rice, Marc Evan Jackson, Megan Amram and more.
We hope to see you there!
Big Week next week in Kentucky
Our crew heads back to Kentucky next week. As our previous shoots captured the visual quintessence of fall and winter, we are hopeful that spring won't disappoint.
As an added surprise, Laura Dunn (our film's director/producer and editor) was invited to speak on "Healing" at Louisville's Festival of the Faiths. Laura will share excerpts from THE SEER: A Conversation with Wendell Berry footage shot to date with attendees. Thursday May 15th from 7-9PM. In addition to Laura, Pulitzer Prize-winning author Gary Snyder and Wendell Berry himself will discuss their decades-long friendship with moderator Jack Shoemaker. Shoemaker, owner of Counterpoint Press, is publishing select correspondence of Snyder and Berry in a new book called "Distant Neighbors." (Advance copies will be sold at the event)
If you're around, we'd love to see you at Laura's presentation!
Laura Ingalls Wilder's "Farmer Boy"
Lately we've been reading Laura Ingalls Wilder books to our children. In Farmer Boy, a book about the early years of Wilder's future husband Almanzo, his mother learns that her son may abandon farming to go to work for a carriage-maker in town.
Then Father told her that Mr. Paddock wanted to take Almanzo as an apprentice.
Mother’s brown eyes snapped, and her cheeks turned as red as her red wool dress. She laid down her knife and fork.
“I never heard of such a thing!” she said. “Well, the sooner Mr. Paddock gets that out of his head, the better! I hope you gave him a piece of your mind! Why on earth, I’d like to know, should Almanzo live in town at the beck and call of every Tom, Dick, and Harry?”
“Paddock makes good money,” said Father. “I guess if truth were told, he banks more money every year than I do. He looks on it as a good opening for the boy.”
“Well!” Mother snapped. She was all ruffled, like an angry hen. “A pretty pass the world’s coming to, if any man thinks it’s a step up in the world to leave a good farm and go to town! How does Mr. Paddock make his money, if it isn’t catering to us? I guess if he didn’t make wagons to suit farmers, he wouldn’t last long!”
“That’s true enough,” said Father. “But—”
“There’s no ‘but’ about it “Mother said. “Oh, it’s bad enough to see Royal come down to being nothing but a storekeeper! Maybe he’ll make money, but he’ll never be the man you are. Truckling to other people for his living, all his days— He’ll never be able to call his soul his own.
Her elevation of farming and the declaration that most other work condemns one to "truckling to other people" really resonates with me. The entire Little House series is quite wonderful and if you've got young kids, I highly recommend them.
We return to Henry County, Kentucky in 4 weeks.
Shooting Again in May
The whole crew heads back to Kentucky in mid May 2014 for another shoot. Very excited to see all of our Trimble, Oldham and Henry County friends again.
Laura Didn't Approve this Blog Post
Occasionally our fair director must endure discomfort at the hands of her conspirators. This blog post is one such example. This clip shows THE SEER: A Conversation with Wendell Berry director Laura Dunn winning (to her complete surprise) the Independent Spirit Award for her first feature length documentary, THE UNFORESEEN.
(NOTE: Hey Laura, I posted this because so many people coming to FORTY PANES know and love the work of Wendell Berry, but don't necessarily know you. So we're bragging on you. It's just part of marketing and promotion, please forgive!)
Terrific Wendell Berry interview by Duke's Norman Wirzba
Wendell Berry engaged in a ninety minute interview with Duke University's Norman Wirzba at the Annual Meeting of the American Academy of Religion. Highly recommended.
Andrew Thompson was among the audience and had this writeup.